Arundhati Roy Quotes

I'm trained as an architect; writing is like architecture. In buildings, there are design motifs that occur again and again, that repeat -- patterns, curves. These motifs help us feel comfortable in a physical space. And the same works in writing, I've found. For me, the way words, punctuation and paragraphs fall on the page is important as well -- the graphic design of the language. That was why the words and thoughts of Estha and Rahel, the twins, were so playful on the page ... I was being creative with their design. Words were broken apart, and then sometimes fused together. "Later" became "Lay. Ter." "An owl" became "A Nowl." "Sour metal smell" became "sourmetal smell."

Repetition I love, and used because it made me feel safe. Repeated words and phrases have a rocking feeling, like a lullaby. They help take away the shock of the plot -- death, lives destroyed or the horror of the settings -- a crazy, chaotic, emotional house, the sinister movie theater.

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Quand par hasard elle changeait de chaîne, toutes ces famines, ces épidémies, ces guerres télévisuelles l'affolaient. (...) Elle considérait famines, génocides et purifications ethniques comme autant de phénomènes susceptibles de mettre son mobilier en péril.

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His eyes were polite yet maleficent, as though he was making an effort to be civil to the photographer while plotting to murder his wife.

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If you are happy in a dream, Ammu, does that count? Estha asked. "Does what count?" "The happiness does it count?". She knew exactly what he meant, her son with his spoiled puff. Because the truth is, that only what counts, counts....."If you eat fish in a dream, does it count?" Does it mean you've eaten fish?

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Baby Kochamma had installed a dish antenna on the roof of the Ayemenem house. She presided over the world in her drawing room on satellite TV. The impossible excitement that this engendered in Baby Kochamma wasn’t hard to understand. It wasn’t something that happened gradually. It happened overnight. Blondes, wars, famines, football, sex, music, coups d’etat—they all arrived on the same train. They unpacked together. They stayed at the same hotel. And in Ayemenem, where once the loudest sound had been a musical bus horn, now whole wars, famines, picturesque massacres and Bill Clinton could be summoned up like servants.

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